Christian movie revenue shocks Hollywood, blows past estimates — here’s why you need to see it


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NEW MOVIE ROCKS BOX OFFICE WITH CHRISTIAN MESSAGE

TOM LAMPRECHT: Harry, so often on this podcast, we have to talk about situations that are in the news that aren’t overly pleasant or exciting and sometimes they can be downright depressing.

Today, I want to talk about something that, in fact, your church, Briarwood, has been involved in. It’s an outreach event but it’s also an entertainment event. It’s the new movie that’s just out, entitled “I Can Only Imagine.” It’s a faith-based film from Roadside Attractions. Friends who have been on this program before, directors Andrew and John Erwin, are the directors.

It surprised a lot of people this past weekend, Harry, as Variety reports “I Can Only Imagine” hauled in $17.1 million at 1,600 movie theaters across North America. The estimates put it originally at the $2 million to $8 million range, so it has exceeded everyone’s expectations.
FILMMAKERS BRING CHRISTIANITY TO THE THEATERS

HARRY REEDER: That’s been a real answer to prayer as we prayed for the Lord to bless the use of this. We do enjoy the Erwin brothers and have a great relationship with them with many, many conversations about “Christian world and life view” entertainment and their abilities and insights are so encouraging — what they’ve done.

If you’ve never seen the movie “Woodlawn” that they did, you need to do that. They’ve put out about three or four excellent movies. They came to us with this one and we began to talk about it. I immediately brought our staff to see it because I felt this would be a great outreach. It’s not a sermon put to a film; it is a story that brings the truth of the Gospel but told in terms of story form, which they did really, really well.

Three things about it when you go:

— Expect to enjoy it

— Take your spouse

— Be sure and bring a handkerchief.

But, by the way, I would encourage you not only to take your spouse, but do what we did where we reserved some venues for the showing of it, made the tickets available at a lower cost to our people if they would bring someone whom they were sharing the Gospel with, and then determined to afterward’s have an ice cream or have a cup of coffee and talk about what you have heard.

MOVIE TELLS STORY OF REPENTANCE AND CONVERSION

In a sense, I can sum it up this way: There is the very famous song that was triple platinum, “I Can Only Imagine.” It did all the crossover. Bart Miller was the writer and singer of the song. The movie tells the story behind the song, which is a story of — if I can put it in his words: “How did the man I hated the most become the man I wanted to be most like?”

And it was the conversion of his father and what God did in the life of his father and how that set him free in the things that he had dealt with his whole life under the abusive relationship with his dad.

Dennis Quaid, the actor of the father, turns in a masterful performance. By the way, you also get a look at Cloris Leachman. She’s still acting and, in fact, not to give away too much, it’s her comment that becomes a stimulation to the song that Bart Miller writes.

It’s just an amazing story. You’ve got to go see it, but please make use of it. Go enjoy it as a date night and then go take two or three people after you’ve seen it and prepare yourself to go back to see it.

STUNNING NUMBERS AS IT BEATS OUT HOLLYWOOD BLOCKBUSTERS

Now, what’s interesting, Tom, it almost knocked off three other movies.

TOM LAMPRECHT: Yeah, in fact, Harry, it came in third place. “Black Panther” and “Tomb Raider” did a little bit better than “I Can Only Imagine,” but beat out the new Disney film, “A Wrinkle in Time.”

DR. REEDER: It beat out a number — a number — of films that Hollywood was utterly committed to. And they had pretty well dismissed this and here it is in a fraction of theaters — those other theaters were well over the 2,000 mark that they were available in — but, in 1,600 theater openings, it was able to do this well.

MAKING THE MOVIE AFFECTED FAITH OF THE ACTORS AND AUDIENCE

TOM LAMPRECHT: Harry, faithit.com has reported that, apparently, being a part of this movie has rekindled in Dennis Quaid a desire to have a deeper relationship with Jesus Christ. In fact, after this production was over, he went back and finished writing a song dedicated to his mom, which he started more than 25 years ago entitled, “On My Way to Heaven.”

DR. REEDER: If you go Google all that, you’ll find a link you can hear about his new song that he wrote. He sent it off to his brother, fellow actor Randy Quaid. Both had made a profession of faith earlier in life and he’d been on a search. And then he said the movie has rekindled the effects of that search, which is all about Jesus.

And, of course, that’s what I pray for, for not only this actor who portrayed the part of Bart’s father who was converted by the wonderful work of God’s grace in his life. Playing the part, Dennis Quaid has acknowledged his own relationship with Christ. The famous director, Sharon Stone — now, this isn’t the actress, but the famous Hollywood director, Sharon Stone — went to see it with her son and she acknowledged that when the movie was over, nobody moved. Everyone just sat there. In fact, you could hear the sobs and you could just sense the emotional impact of the moment.

However, when she did get up to leave with her son, a lady with tears running down her eyes said, “Do you know Jesus?” and this director of Hollywood said, “Yes, I do.” And then she said, “I think I’ve got to go and get a Bart Miller fix with Jesus,” and she said, “Well, let’s talk about it.” And so, they sat down and talked about it and, afterwards, she said the lady said, “God brought me here to hear this today and now we get to go home together.”

FILM OFFERS CHANCE TO “IMAGINE” OUR FUTURE IN HEAVEN

What an extraordinary statement and that’s, by the way, a good way that this can be used: Use the title, “I Can Only Imagine,” and say, “You know, you don’t have to imagine. You can actually know.” We don’t know everything that’s going to happen in the new heavens and the new earth, but we do know how to get there. You don’t have to imagine how to get there — in fact, one of the reasons the Bible was written was so that you can know how to get to Heaven and you can know what actually makes Heaven glorious.

Tom, one of the verses in the Bible explicitly said that this is a purpose of the writing of the Bible, 1 John 5:13. “These things have I written that you might know that you have eternal life through Jesus Christ, our Lord and Savior.”

We also know what makes Heaven glorious. Jesus said this, “I go to prepare a place for you so that, where I am, there you may be also.” Oh, the glories of what makes Heaven glorious is we’ll be with the Savior, Who came from Heaven to go to a cross to save us from our sins. And, if you’ll come to Him by faith and repentance and receive the gift of eternal life, turning from your sins, then you can not only imagine, you can know for certain that you’re headed to Heaven and then we can begin to imagine what will that be like to be with Jesus and with each other for all eternity, not only without sin, but without even the ability to sin?

LOOK FOR AND SUPPORT QUALITY FILMS THAT EVANGELIZE

TOM LAMPRECHT: Harry, as we close out, let me remind our listeners that if they would like more information on quality films that they can take friends and family to, we would recommend movieguide.org.

DR. REEDER: World Magazine does reviews of films, as well. In fact, World Magazine — as most of our listeners will recognize because we quote from it — it’s a magazine devoted to looking at culture from a Christian world and life view.

It’s so interesting how Hollywood looks at this and they can’t understand how the Neanderthal public could walk away from all these other films that they put out and move to this film that they thought was going to have a $2 million showing and they just can’t understand it. Tom, this is why we do this program: They can’t understand it because of their presuppositions.

TIME TO SHOW HOLLYWOOD AND THE WORLD WHY WE HAVE FAITH

They can’t understand it because of their faith-driven world and life view. In their world and life view, there is no redemption. In their world and life view, there’s nothing to repent of. In their world and life view, there’s “all about me,” instead of finding out that it’s all about the glory of God and a God that’s so glorious that He provides a way for us to be right with Him and that, when you get right with Him through Jesus Christ, then reconciliation with others becomes a glorious consequential blessing and they just cannot sense that. They just are absolutely convinced there has to be a material, a natural explanation.

No, here is the explanation: the reason that there’s such brokenness in this world is sin. The answer to sin is Jesus and, when you come to Jesus Christ, you not only get right with God, God comes right within your life. And when he gets right within your life, you start getting right with everyone around you, just as this wonderful story depicts.

I can’t wait for you to see it and I can’t wait for you to enjoy it. And I can’t wait for more Christians to get involved in this industry of storytelling through the performing arts and I can’t wait for you to use this as a platform to bring other people so that they can say, “I can only imagine what the new heavens and the new earth looks like but I don’t have to imagine about how to get there. I can know for certain. Here’s what Jesus says, ‘Truly, truly, he who believes in me has eternal life.’”

Dr. Harry L. Reeder III is the Senior Pastor of Briarwood Presbyterian Church in Birmingham.

This podcast was transcribed by Jessica Havin, editorial assistant for Yellowhammer News, who has transcribed some of the top podcasts in the country. Her work has been featured in a New York Times Bestseller.

2 hours ago

Why go to college?

More than three million students will begin college this year, many pursuing degrees needed for high paying jobs. Amazingly, bachelor’s degrees open economic doors despite little evidence of significant learning in college. How can students who retain so little knowledge make so much money?

A college degree can identify people who employers want to hire. A recent book by George Mason University economist Bryan Caplan provocatively titled The Case Against Education argues that this signaling explains much of the college earnings premium.

The college earnings premium is real. According to the Bureau of Labor Statistics, in 2018 college grads earned 64% more than high school grads who never attended college, and 39% more than associate’s degree holders. College grads are also less likely to be unemployed, with a 2.2% unemployment rate, versus 4.1% for high school grads. The earnings and unemployment differentials have both persisted for years.

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Businesses require bachelor’s degrees for many jobs. Every time a business chooses college grads, they pay more. Profit-hungry businesses should not hire more expensive workers unless they create more value.

Economics offers two theories for education’s value. The first, called human capital, contends that learning makes workers more productive. In the human capital story, the college curriculum must be directly valuable to employers. High paying degrees, like economics, must teach skills businesses value more.

Alternatively, college degrees might allow students to signal characteristics which businesses desire; the content of degrees may be largely irrelevant. Life offers many examples of signaling. Romance and courting involve numerous signals, like engagement rings. A diamond is of little practical value, but signals the willingness to make a life-long commitment.

What does college signal? Professor Caplan argues three main traits: intelligence, conscientiousness, and conformity. Businesses desire workers who are smart, able to learn challenging material, and willing to follow rules. Conformity is probably becoming more important, as businesses can no longer afford workers who tell off-color jokes or express racial, religious or sexual intolerance.

Intelligence and ability to learn are valuable because the details of jobs differ greatly across employers. Employers must train workers to do a job their way. Employees must be willing to turn off their cell phones and pay attention.

How important is human capital versus signaling? Discussions of higher education policy generally presume human capital theory. Yet Professor Caplan contends that the college premium is about 80% signaling and 20% human capital. The content of education clearly has some relevance; engineering firms will not hire inexpensive social work majors over expensive engineers because they prefer graduates already familiar with engineering.

Professor Caplan presents a wealth of statistical evidence in support of signaling. Yet several puzzles demonstrate signaling’s importance. Perhaps most telling is the one mentioned above, the lack of evidence on long-term learning. Knowledge forgotten – of Shakespeare, calculus, or supply and demand – cannot be generating productivity. Furthermore, a student who is one or two classes short of a degree has acquired perhaps 95 percent of a degree’s human capital, but will face a significant salary penalty. And attending classes allows acquisition of knowledge without earning college credit, and has essentially no market value.

Signaling creates value for the economy even if course content is largely irrelevant. College helps employers find the workers they want. Yes, four years of college is costly, but everyone wants high paying jobs and would likely lie during an interview. Whether higher education provides efficient signaling depends on whether an alternative can separate high and low-quality potential workers at a lower cost.

The potential exists for excessive and wasteful signaling. Completing high school used to separate one from the crowd. Arguably we now use college degrees as a signal instead of high school diplomas. Credential inflation is potentially costly.

For parents of college students, signaling offers some solace. Even if Sally or Johnny seem to forget everything after the semester ends, passing forgettable classes can readily signal employers their willingness to learn a boring job.

Daniel Sutter is the Charles G. Koch Professor of Economics with the Manuel H. Johnson Center for Political Economy at Troy University and host of Econversations on TrojanVision. The opinions expressed in this column are the author’s and do not necessarily reflect the views of Troy University.

3 hours ago

VIDEO: Gun control, tolls are just a regional concern, racist Alabama Democrats and more on Guerrilla Politics …

Radio talk show host Dale Jackson and Dr. Waymon Burke take you through this week’s biggest political stories, including:

— Will a serious discussion about “gun control” take place, or will it be more politicking by both sides?

— Will toll talk spread beyond the citizens of Mobile and Baldwin Counties?

— Why are Alabama Democrats calling each other racist?

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Jackson and Burke are joined by U.S. Representative Mo Brooks (R-Huntsville) to discuss gun control, tolls, debt and the potential recession.

Jackson closes the show with a “parting shot” where he argues that American institutions should put Americans first.

Dale Jackson is a contributing writer to Yellowhammer News and hosts a talk show from 7-11 am weekdays on WVNN.

4 hours ago

Alabama’s Margaret Renkl, writer for New York Times, launches first book, ‘Late Migrations’

A couple of years ago, Alabama native Margaret Renkl, who had made a career out of writing and editing, was stressed. Really stressed.

Living in Nashville, she had moved her mother up from Birmingham to help take care of her in her final years.

“After my mom died, and my husband’s parents had moved up here, too, it really was unbearable,” she says. “I was dealing with grief and caregiving, and two of my three children were still living at home. It was a lot.”

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Then, at the Southern Festival of Books, Renkl ran into an editor from The New York Times. The newspaper was starting a new series, The End, about end-of-life issues, and he urged her to write about her experience.

“I ended up working, first thing in the morning, 15 minutes a day, on an essay about my mother’s death and my mother-in-law dying, and at the end of the month, I sent it in, and they bought it,” Renkl says. “I did another piece, and they bought that, also. By that time, I was feeling a lot more confident.”

Her mother-in-law had also passed away, so Renkl had a bit more time.

“I was still sorting through these issues about grief, but I didn’t think of them as a book,” she says.

But they were a book, at least the beginnings of one, and last month Renkl released “Late Migrations,” a book of essays about two of Renkl’s passions – her family and the natural world.

The book has received rave reviews from celebrities and bibliophiles alike. Oprah Winfrey’s O magazine says Renkl “guides us through a South lush with bluebirds, pecan orchards and glasses of whiskey shared at dusk in this collection of prose in poetry-size bits.” Author Ann Patchett says the book has the makings of “an American classic … beautifully written, masterfully structured and brimming with insight into the natural world.” Actress Reese Witherspoon says Renkl “is the most beautiful writer. I love this book.” “Late Migrations” has been featured on NPR and in Garden & Gun and People magazines, among others.

It’s all a bit surprising to Renkl, who graduated from Auburn University with a degree in English in 1984 and earned her master’s at the University of South Carolina.

“The structure is unusual, and the subject is often sad,” Renkl says. “It’s a meditation on grief some ways, and I think we as a culture aren’t comfortable talking about death and grief. I’ve been surprised and heartened by the response.”

Renkl was born in Andalusia, but she moved to Birmingham while in first grade.

“The world I lived in in Birmingham was completely different from the world I lived in heretofore,” she says. “We went back to lower Alabama all the time, because my grandparents still lived there. That was pretty foundational for the way I think of my growing-up years.”

Renkl’s father was in real estate development, building apartment complexes, and she and her family would move from site to site, wherever her father’s company was building a complex.

“It’s a little ironic that I spent so much time in the outdoors, because we were living in the woods that my father’s company was tearing down,” says Renkl, who graduated from Homewood High School.

She and her brother, Billy, an artist who provided illustrations for “Late Migrations,” forged their collaboration early on with childhood books of poetry and illustrations. Later, Billy would be her art director when she was editor of her high school newspaper and also when she was editor of the Circle literary magazine at Auburn.

After graduate school, Renkl taught high school, but in her 10th year of teaching, she found herself on bed rest while pregnant with her second child, and since she couldn’t teach, she had to “find a way to make some money.”

She launched a 12-year freelancing career with an essay for Glamour magazine and later edited Chapter 16, an online journal for Humanities Tennessee, for 10 years.

After that, The New York Times, a publication she had failed to sell freelance essays to after several tries, came calling, and she began writing for The End. The Times soon hired her to write a regular monthly column, and six months later, they asked her to write weekly.

“I asked for my first contract to be six months instead of a year, because I wasn’t completely convinced I could come up with something every week,” Renkl says. “Then I signed a contract for a year, then another for a year. I’m pretty happy with the arrangement.”

As a regular writer for The Times, Renkl writes about “flora, fauna, politics and culture in the American South,” according to the newspaper. She has written about her familyanimals and politics.

In the meantime, Renkl was continuing to write essays about her family – the grief of losing her mother, mother-in-law and, earlier, her father – and, thanks to her disdain for the 2016 political season and its aftermath, nature. “I started writing a little nature blog that had pretty much zero audience, but writing about the natural world reminded me that what was happening in the political arena was only temporary,” she says. “At some point, the other women in my writer’s group said, ‘You know this is a book, right? … This is a book about longing and loss in many different contexts.’”

Milkweed Editions agreed and worked with Renkl on “Late Migrations,” which includes memoir-type essays along with essays on nature and drawings by her brother.

“This was his family, too,” Renkl says. “So it seemed natural to me to have my story of my family include work by him. … Also, Billy’s artwork is very often about birds and insects and stars and flowers and leaves.”

Initially, Renkl paired her work with pieces her brother had already created, but he ended up creating 20 original pieces for “Late Migrations.”

“As I was reading the early drafts of the book, I came to realize that I wanted to use my voice to amplify the beautiful connections between Margaret’s backyard observations of nature and her stories about our family,” Billy Renkl says. “Eventually, I decided to aim for a carefully calibrated relationship between images that seemed to reference the history of wildlife identification guidebooks and family photo albums – images that were equal parts objective observation and idiosyncratic family myth.”

Though some have referred to “Late Migrations” as a memoir, Renkl disagrees.

“To me, that means comprehensive and complete,” she says. “These essays make no pretense to be comprehensive. I’m not telling the story of my life. I consider it primarily to be a meditation on loss and human life and in the natural world. I took great comfort, in writing both sets of essays, in seeing how what happens to us in human life is being played out all around in the natural world.”

Renkl says her parents would have loved “Late Migrations.”

“They were so proud of me, and the book is a love letter to them,” she says. “It’s a love letter to family life, to the natural world. It’s a praise song. They would have loved that.”

Margaret Renkl will be signing “Late Migrations” on Sept. 4 at 6 p.m. at Pebble Hill in Auburn; and Read Herring books, 105 S. Court St. in Montgomery, on Sept. 5. You can find her book tour schedule here.

(Courtesy of Alabama NewsCenter)

6 hours ago

Samford University’s Ida Moffett School of Nursing receives $3.5M Nurse Practitioner Residency Grant

Samford University’s Ida Moffett School of Nursing will receive $3.5 million over four years to place nurse practitioner graduates in rural, underserved areas for primary-care residency. The grant is the largest in Samford University’s history.

The Advanced Nursing Education – Nurse Practitioner Residency Program Grant from the U.S. Department of Health and Human Services, Health Resources and Services Administration is designed to prepare new nurse practitioners to deliver high-quality primary care in community-based settings. During the year-long program, nurse practitioner residents will complete academic coursework and clinical hours in underserved population locations.

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“For nearly 100 years, Ida Moffett School of Nursing has prepared well-equipped, compassionate nurses to serve the underserved,” said Nena Sanders, vice provost of Samford’s College of Health Sciences and nursing school dean. “This grant affords us the opportunity to enhance the knowledge and skill sets of our graduates and intentionally place caring, competent nurse practitioners where the needs are greatest.”

The grant will facilitate the launch of the first residency program housed within the nursing school.

The program will focus on developing new family nurse practitioners with the knowledge, skills and attitudes necessary to improve the quality and safety of rural health care systems. According to professor and grant manager Stephanie Wynn, the program will place a special priority on addressing value-based care, telehealth, obesity and mental health issues.

“This residency program will distinctively position new nurse practitioners to face the complexities which occur when providing care to rural and underserved populations,” said Wynn. “Ninety-eight percent of Alabama’s counties are designated, either all or in part, as a Medically Underserved Area or a Health Professional Shortage Area. This program will transform communities by increasing the quality and quantity of primary-care providers who are trained to provide innovative, compassionate care.”

Fifty-five of Alabama’s 67 counties are considered rural, and only two of those 55 are considered to have the minimum number of providers available. According to Wynn, the state’s population-per-physician ratio well exceeds 3,000 to 1 in many rural areas. “Nearly 44% of Alabama’s population is living in rural areas, yet 70% of primary care physicians practice within Alabama’s five largest counties,” said Wynn. “Health care must shift to better meet the needs of today’s population.”

During their rotations, residents will receive training in vital telehealth technology reducing accessibility issues for patients who would otherwise need to travel long distances to seek care. “By providing residents with telehealth training, rural communities will gain direct access to specialists in the urban areas,” said Jill Cunningham, nurse practitioner department chair.

Cunningham and Wynn are leading the residency and curriculum development with the support of an interprofessional team of educators. The first cohort of 10 nurse practitioners will begin their rotations July 1, 2020.

“More than 20 years ago we launched a nurse practitioner program to fill a need within the health care system, and that vision hasn’t changed,” said Jane Martin, senior associate dean for Ida Moffett School of Nursing. “We are producing well-trained, compassionate nurse practitioners who are breaking health care accessibility barriers.”

Ida Moffett School of Nursing offers nurse practitioner coursework that is aligned with the needs of today’s heath care environment. Students choose from specialty areas such as family, emergency or psychiatric mental health nurse practitioner, and entry points are available for associate, bachelor’s, master’s and doctoral degree holders. Advanced practice registered nurse, nurse practitioner certificates are also available.
(Courtesy of Alabama NewsCenter)

8 hours ago

Josh Laney to head Alabama Office of Apprenticeship as skills program expands

MONTGOMERY, Alabama — Ed Castile, deputy secretary of the Alabama Department of Commerce and director of AIDT, announced that Josh Laney has been named director of the newly established Alabama Office of Apprenticeship (AOA) as the state moves to expand a program that elevates the skill levels of workers.In his new role, Laney will partner with industries and education providers across the state to develop and expand traditional and industry-recognized apprenticeships for youth and adults.  He will also lead the AOA’s support of larger workforce development infrastructure for Alabama to identify and promote the recognition and use of valuable credentials.

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Laney previously served as senior director for Workforce Development at the Alabama State Department of Education, where he supported local school system efforts to align the career technical training initiatives with workforce needs.

With over 20 years of experience in education, Laney’s career path has taken him from the classroom to administrative leadership in junior high and high school settings before assuming the role of career technical director for Phenix City Schools in 2011.

Under Laney’s leadership, the AOA will expand Alabama’s registered apprenticeship opportunities, resulting in additional skilled employees in the workforce and increased economic activity for Alabama.

“The Alabama Office of Apprenticeship is a game changer. Having someone like Josh who is passionate about education and dedicated to the growth and preparedness of our workforce is a home run for Alabama,” said Castile, who heads Commerce’s Workforce Development Division.

MEETING DEMANDS

The establishment of the Alabama Office of Apprenticeship represents another step in Alabama’s strategic efforts to develop a comprehensive workforce system. Apprenticeship programs allow the state to meet the current and future demands of business and industry, while also creating greater opportunities for Alabamians.

Registered apprenticeship programs are innovative work-based learning opportunities that rely on business involvement and provide on-the-job training while also providing wages from employers during training.

Apprenticeship sponsors develop highly skilled employees, while reducing turnover rates and increasing productivity.

Alabama has five industry focused sectors for apprenticeships:  Healthcare, Construction/Carpentry, Information Technology, Distribution/Transportation & Logistics and Advance Manufacturing.

“The success of Apprenticeship Alabama over the last few years made us realize that we needed to go bigger,” Castile said. “With Josh’s extensive background in workforce development and education it was natural fit for agency.”

Laney’s appointment follows the passage of Senate Bill 295, sponsored by Sen. Arthur Orr, which not only established the Alabama Office of Apprenticeship but also expanded the Apprenticeship Alabama Tax Credit from $1,000 to $1,250.

The legislation also increased the number of apprentices one employer may claim from five to 10, as well as the tax credit cap from $3 million to $7.5 million, and established the Alabama Apprenticeship Council.

The AOA will serve as the registration agency for all registered apprenticeships in the state of Alabama.

(Courtesy of Made in Alabama)